$3.50
$3.50
$3.50
$9.50
Each issue is held within a different vintage matchbook cover with the same 58 pages of text within each.
For a limited time you can buy three copies of the issue for only $13.00 if you want to share with friends, or just because.
Or, you can buy one issue for six dollars, which is well worth it, let me tell you.
Buy them online, visit here, or send me some moneys.
Friedrich Kerksieck
1447 Poplar Ave. Apt. 1
Memphis, TN 38104
Now available from Brave Men Press- the third installment of the Coinside series in conjunction with the Deep Moat
Julia Cohen:
$3.50and Justin Marks:
Also available as a pair for a slight discount:
Also introducing our Brave Men Press accordion book specially made to store and display your collection of Coinsides. The accordion is double-sided with a total of 14 slots (enough for all the current Coinsides and room for future ones.)
From the author's process: "Rather than composed, the poem was constucted from several years' worth of notes, which were either written for this poem or were pieces that fell off other poems. Over a month long period, I cobbled these fragments together on 3 X 6 sheets of paper tacked to an unused door propped up in my attic."
$3.50
My Cadastre / Mein Flurbuch
Play
I, NE: Iterations of the Junco is a collaboration between John Chavez, Megan Gannon, Rachel May, and Joshua Ware. Illustrations by Meaghan Perry.
Letterpress-printed on 18 file cards in a handmade paper slipcase. Edition of 100.
$75.00
We begin with the line, “Juncos hollow white noise limbs dreaming through the ice,” then we augment and erase. We cross-pollinate. We become through nonce form, arbitrary delimiting, & spatial re-orientation.
Of becoming, or more particularly, of becoming-imperceptible, Deleuze and Guattari write: “the truth [is] that all becomings are molecular. The molecular has the capacity to make the elementary communicate with the cosmic: precisely because it effects a dissolution of form that…guarantees a continuum by stretching variation far beyond its formal limits.”
The becoming-imperceptible of the collaborative process helps us follow a line of flight where: “We are no longer ourselves, [where] we have been aided, inspired, multiplied.”
Paypal or check to:
In “Another Limit," Linnea Ogden maps a skeptic's fugitive geography of the imagination. In poems with titles like “Submerged Lands Act,” this poet continuously draws and redraws the jurisdiction of her literary consciousness, always seeking “the answer to this particular border / dispute” in poems of considerable formal grace and emotional honesty. — Srikanth Reddy
A New Map of America
